Iroshi Ishiguro, a world leader in robotics

humanoid design and pre­sent­ed one of his machines in the ‘Meta­mor­pho­sis show’ held at the Espace Legendre, Com­piege, Novem­ber 27. The show is an adap­ta­tion of the Kaf­ka nov­el by play writer Oriza Hira­ta. Could humans and robots be inter­change­able one day, as seen in this exper­i­ment by Gre­gor Sam­sa who is trans­formed on stage, not into a “mon­strous insect” but into a no less dis­turb­ing robot? 

Just before this show, you gave a lecture at UTC on the theme “Twins, Technology and Human Nature”. Can you tell us what you presented? 

Well, I explained why I build humanoid robots and why I decid­ed to work on Kafka’s Meta­mor­pho­sis theme. Robots will be omni-present in our dai­ly future. They will be as com­mon­place as smart­phones today; we should be pre­pared for this. 

Why do you give your robots a humanoid form?

The human brain is designed to recog­nise human attrib­ut­es. If you give a humanoid form to a robot, this facil­i­tates its inte­gra­tion and inter­ac­tions with liv­ing humans. They will be accept­ed nat­u­ral­ly in a human like form. The French com­pa­ny Alde­baran also chose to go this way, with Nao, Pep­per and Romeo. 

What do you see as the next step in robotics?

Robots will need more on-board intel­li­gence. They are already more intel­li­gent than humans in cer­tain func­tion­al­i­ties, such as cal­cu­lat­ing or mem­o­riz­ing. But we need also to take this fur­ther, and attribute inten­tions or allow for their own desires. The next stage will be to implant con­scious­ness. That is the area where I am doing research today and I hope to come up with some defin­i­tive results in the next 5 years. In the frame­work of my research, the work we did at the Com­pieg­ne The­atre. By plac­ing a robot face-to-face with art, we can learn how the robot should (re)act in the most nat­ur­al way possible. 

Are we living in a Sci-Fi novel?

Sci-Fi is a source of inspi­ra­tion for sci­en­tif­ic research. It is a dri­ving force and it pro­vides for all the imag­i­na­tion sci­ence and tech­nolo­gies need to progress. 

Le magazine

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