Living a thousand lives in one

Michael Pitiot was nev­er an engi­neer. Notwith­stand­ing, this grad­u­ate who majored in com­put­er engi­neer­ing, before becom­ing a doc­u­men­tary film-mak­er has nev­er for­got­ten the lessons he learned at UTC. On August 27, 2024 he came to the Uni­ver­si­ty to deliv­er an inau­gur­al les­son to the stu­dents. His mot­to for this future gen­er­a­tion of engi­neers? «Live your Dream!»

Even before he was admit­ted to UTC, Michael knew he prob­a­bly wouldn’t be an engi­neer: «but I didn’t want to com­mit myself to stud­ies that would prove mean­ing­less to me. So what in fact drew me to enrol at Com­piègne was that I’d been told it was a school that trained human­ist engi­neers,» he adds. Dur­ing his stud­ies at UTC, he always want­ed to go fur­ther afield, so he became involved with the NGO “Ingénieurs sans fron­tières”. «I learned that they were car­ry­ing out mis­sions in Zaire, plan­ning to make a short film for their patrons. A per­fect oppor­tu­ni­ty for me! So I offered to make the film and they accept­ed. For three months, we stayed in an extreme­ly iso­lat­ed place, with no elec­tric­i­ty or roads and every­thing had to be done on foot. It was an incred­i­ble human experience!

After grad­u­at­ing, there was no ques­tion of Michael shut­ting him­self away in an office, so he became an image hunter-reporter. «I went to coun­tries that were a bit hot, like Chad, Soma­lia and Lebanon. But I soon real­ized that it wasn’t quite what I was look­ing for, or what I want­ed to do. So I went to Viet­nam as an audio­vi­su­al attaché, where I worked on a num­ber of fea­ture films. I even worked for Viet­namese tele­vi­sion, notably on the cre­ation of the country’s first TV game show. It may seem a long way from engi­neer­ing train­ing at first glance, but in fact, it is also akin to project management.»

After six years in Viet­nam, Michael embarked on a some­what crazy chal­lenge: to build a 60- ton Chi­nese junk and sail it from Hô Chi Minh- Ville (for­mer­ly, <1975, Saigon) to Saint Malo. I start­ed build­ing the boat when I was 26, in 1996 » recalls Michael. My engi­neer­ing back­ground train­ing proved use­ful, as I was more at ease with the con­struc­tion of the ship and the mechan­i­cal aspects of these old boats. This became the Sao­mai expe­di­tion (morn­ing star in Viet­namese), and the doc­u­men­tary was broad­cast in prime time on French TV, France‑2. It was an extra­or­di­nary two-year voy­age, 1998 and 2000, with a crew of six to ten peo­ple tak­ing turns on board. Remem­ber that a junk is a boat with­out a motor, so we go where the wind takes us!

No soon­er had he arrived in France, that Michael who felt he was an «extrater­res­tri­al alien” set up a new expe­di­tion, «Portes d’Afrique» [Gate­ways to Africa]. “We spent two years explor­ing Africa’s major ports with writ­ers and jour­nal­ists» he explains. “We went in search of human sto­ries, anoth­er view of this con­ti­nent that was ill-known and bare­ly loved. »

Michael then went on to pro­duce films for the Tara project (the sci­en­tif­ic explo­ration ship). A rev­e­la­tion for him: «And that was the moment I under­stood for the first time that the world was chang­ing, while film­ing the sci­en­tists in front of me. And I said to myself that I per­son­al­ly had to offer some­thing to the world. I set about secur­ing prime time slots on the major TV net­works, to reach peo­ple who didn’t care much about it, at first. Then I crossed the tracks of Yann Arthus Bertrand and pro­duced ten films for him.”

This life record endowed Michael with an eco­log­i­cal aware­ness that has nev­er dimmed his enthu­si­asm for the future, on the con­trary: «Today, ecol­o­gy is often seen as a set of con­straints, where­as it pro­vides, in fact, a set of oppor­tu­ni­ties. We now need to move away from our fears to embrace desires, and that, for me, typ­i­cal­ly rep­re­sents the mind­set of engi­neers and entre­pre­neurs. I see engi­neers as dream­ers, a pro­fes­sion that pre­dis­pos­es them to this. When film­ing, I see peo­ple full of the desire to cre­ate, to think! Right now, I’m work­ing on a project for France‑2, where we’ll be ask­ing the ques­tion of what France might look like in 100 years’ time and I can assure you don’t see a bleak future at all!»

While he places all his hopes in the engi­neer­ing spir­it, Michael has nev­er regret­ted not becom­ing one: «My job is fab­u­lous, you live a thou­sand lives by proxy, you get to meet some incred­i­ble peo­ple,» he smiles. “Two years ago, I was film­ing Pope Fran­cis, and one fort­night lat­er, I was in Bangladesh film­ing chil­dren cut­ting up scrapped ships on the shop-break­ers’ beach­es. A sight full of human­i­ty, with so much to tell!»

MB

Le magazine

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